Man Forever and So Percussion: Ryonen

Now available via Thrill Jockey Records

Special record release party Monday, April 21 at Le Poisson Rouge

"A union so could have been caused by gravity."

-Pitchfork Music

Man Forever is an exploratory percussion project helmed by John Colpitts (aka Kid Millions), one of New York’s most versitile and critically lauded collaborators and a founding member of Oneida. Since its inception in 2010, Man Forever has hosted an impressive list of guest performers, but few have been as specially qualified to perform Colpitts’ technically challenging meditative workouts as So Percussion, the United States’ premiere contemporary percussion ensemble.  Following a collaborative performance at the Metropolitan Museum of Art in New York in June of 2013, So and Colpitts entered the studio together to record Ryonen, two pieces that combine the former’s precision and ingenuity with the latter’s restless punk spirit. While previous Man Forever records were inspired by blissful, overwhelming confusion, Ryonen derives its power from its clarity and immediacy. 

So Percussion Summer Institute 2014:
Percussion and Electronics
July 20 -August 3, 2014 

...for percussionists and composers 
Applications due February 1st! 

special guests Dan Deacon, Matmos 
More information 


For the sixth annual installment of SoSI, we decided to focus on one of the great marriages of 20th and 21st century music: percussion and electronics.  These two media were not only both exciting new realms of experimentation, they were also co-conspirators in the new music revolution.  Composers from Varese to Cage to Xenakis worked with equal vigor in both, seeing their expanded sound possibilities as a wave for the plugged-in future.

We are so pleased that SoSI happens every year on the campus of Princeton University, a prime hotbed of development in electronic and digital music.  Paul Lansky, one of the great figures of computer music, joins us to talk about his decades of innovation, as well as his landmark percussion music.  Dan Trueman, founder of the Princeton Laptop Orchestra, shows us where interactive digital technology is taking today's talented performers, supervising participants in a performance of his epic percussion work "neither Anvil nor Pulley."

Our friends Dan Deacon and Drew and Martin of Matmos will work closely with participants on new projects.  Other guests speakers will include composers Steve Mackey and Daniel Wohl, and career coach Astrid Baumgardner from the Yale School of Music.

Of course, each year SoSI includes intensive chamber music, world premieres, and the second year of our composition program, supervised by faculty Andrea Mazzariello. Repertoire for the big last concert isn't finalized yet, but we're looking at Varese's "Ionisation," Michael Gordon's "Timber," Stockhausen's "Mikrophonie," Xenakis' "Persephassa," Cage's "Imaginary Landscapes," and many other heavy percussion pieces.

This year our opening concert will feature world premieres performed by So Percussion of 3 new works by the finalists of the American Composer's Forum competition. Thanks to our terrific organizational supporters, we will also be awarding more scholarship money than ever before, ranging from $250-$1000.

Join us!

- Adam, Eric, Jason, Josh

I believe that the use of make music...will continue and increase until we reach a music produced through the aid of electrical
instruments.  - 
John Cage, 1937

Join our family of So-supporters & 
help us reach our year-end goal 

Dear friends,

This fall, when we had to vacate our Brooklyn studio of 8 years to make room for a new luxury hotel, we all took a moment to reflect (ah, the life of an artist in NYC…).

After some soul searching and hours spent pounding the pavement, we’re happy to announce that last month we signed a long-term lease on a new rehearsal studio and office right here in Brooklyn, our home!

This is a year of ambitious programming and with a new space in the mix we need you, our family of So-supporters, more than ever.

Help us create this new music with a whole new generation of performers, composers, and collaborators. Be a rabble-rouser right along with us by supporting our next year of projects.

Our goal is to raise $25,000 by 12/31/13. If we can raise that much, here’s what we’ll do.

  • Compose and develop the next big show for BAM – our third piece in five years following Imaginary City & Where (we) Live).
  • Write new music with Buke & Gase, Shara Worden, Matmos.
  • Collaborate with composers Vijay Iyer, Steve Mackey, & Bryce Dessner.
  • Build the next wave of young composers and percussionists at our 6th annual So Percussion Summer Institute.

THANK YOU for your help and support!


Jason, Eric, Adam, & Josh

PS: 100% of your gift is tax deductible. Visit to give your gift online and keep up to date on our work.




“American Patterns” on flowerpots, teacups + hybrid hammer dulcimers

So Percussion returns for a third visit to Zankel Hall on Saturday, November 23 at 9 pm, playing the world premiere of a 30-minute work by Bryce Dessner (The National), and a formidable peak of the percussion literature, David Lang’sthe so called laws of nature. In addition, So Percussion is joined by the electronic duo known as Matmos for a pair of collaborations: Carnegie Double Music, composed and performed jointly by the two ensembles, and so-called remix, an audio/video remix of the Lang piece. Whether performing on teacups, flowerpots, or newly invented instruments, So Percussion’s stunning virtuosity and restless spirit of adventure will be fully on display.

Taken as a whole, the program – titled "American Patterns" – bookends the group’s evolution to date: the so called laws of nature (2002) was the first work commissioned by So Percussion, while Dessner’s Music for Wood and Strings, comissioned by Carnegie Hall, finds So expanding its sonic palate with a piece played almost entirely on amplified strings.  

Tickets are $43 - $50, available through A pre-concert talk at 8:00 pm in Zankel Hall brings David Lang and members of So Percussion together for a conversation with Jeremy Geffen, Carnegie Hall’s Director of Artistic Planning.


Unpacking David Lang's "the so-called laws of nature." 

Now up on Adam's Blog, an article dissecting David Lang's modern masterpiece the so-called laws of nature, written for So Percussion in 2002.  

This piece is the featured work on So's upcoming concert at   Carnegie Hall. The evening also features the world premiere of Bryce Dessner's Music for Wood and Strings, as well as a new set of music with Matmos. 

Saturday, November 23, 2013
Zankel Hall at Carnegie Hall
New York, NY

In-depth interview with Dan Trueman on WHYY

On Thursday, June 13, Dan was featured for a full hour on WHYY Philadelphia, talking about neither Anvil nor Pulley, as well as his other work.  

May 28th - So Percussion releases Dan Trueman's neither Anvil nor Pulley on Cantaloupe Music


Limited-edition “no-CD” release in three versions: Dropcard with Repurposed LP / Tether controller / Speaker drivers

“The dazzling results mixed George Crumb’s knack for unearthly timbres, Alvin Lucier’s infinitesimally fine gradations of tone, and the fierce creative audacity of Jimi Hendrix.”

– The New York Times on neither Anvil nor Pulley

So Percussion (Eric Beach, Josh Quillen, Adam Sliwinski, Jason Treuting ) releases its fourteenth major album, neither Anvil nor Pulley for laptop/percussion quartet (with turntable), by composer/programmer/fiddler Dan Trueman, on Cantaloupe Records Tuesday, May 28. The group fetes this “no-CD” release with a performance at The Metropolitan Museum of Art as part of the Wordless Music Series on Saturday, June 8 (6:30 PM doors / 7:00 PM show). For the concert, So Percussion shares the stage and collaborates with the force-of-nature drummer/composer John Colpitts as Man Forever (a.k.a. Kid Millions of Oneida). Tickets are $25 and include Museum admission on the day of the event.