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This fall, when we had to vacate our Brooklyn studio of 8 years to make room for a new luxury hotel, we all took a moment to reflect (ah, the life of an artist in NYC…).
After some soul searching and hours spent pounding the pavement, we’re happy to announce that last month we signed a long-term lease on a new rehearsal studio and office right here in Brooklyn, our home!
This is a year of ambitious programming and with a new space in the mix we need you, our family of So-supporters, more than ever.
Help us create this new music with a whole new generation of performers, composers, and collaborators. Be a rabble-rouser right along with us by supporting our next year of projects.
Our goal is to raise $25,000 by 12/31/13. If we can raise that much, here’s what we’ll do.
THANK YOU for your help and support!
Jason, Eric, Adam, & Josh
PS: 100% of your gift is tax deductible. Visit www.sopercussion.com/donate to give your gift online and keep up to date on our work.
“American Patterns” on flowerpots, teacups + hybrid hammer dulcimers
So Percussion returns for a third visit to Zankel Hall on Saturday, November 23 at 9 pm, playing the world premiere of a 30-minute work by Bryce Dessner (The National), and a formidable peak of the percussion literature, David Lang’sthe so called laws of nature. In addition, So Percussion is joined by the electronic duo known as Matmos for a pair of collaborations: Carnegie Double Music, composed and performed jointly by the two ensembles, and so-called remix, an audio/video remix of the Lang piece. Whether performing on teacups, flowerpots, or newly invented instruments, So Percussion’s stunning virtuosity and restless spirit of adventure will be fully on display.
Taken as a whole, the program – titled "American Patterns" – bookends the group’s evolution to date: the so called laws of nature (2002) was the first work commissioned by So Percussion, while Dessner’s Music for Wood and Strings, comissioned by Carnegie Hall, finds So expanding its sonic palate with a piece played almost entirely on amplified strings.
Tickets are $43 - $50, available through www.carnegiehall.org. A pre-concert talk at 8:00 pm in Zankel Hall brings David Lang and members of So Percussion together for a conversation with Jeremy Geffen, Carnegie Hall’s Director of Artistic Planning.
Now up on Adam's Blog, an article dissecting David Lang's modern masterpiece the so-called laws of nature, written for So Percussion in 2002.
This piece is the featured work on So's upcoming concert at Carnegie Hall. The evening also features the world premiere of Bryce Dessner's Music for Wood and Strings, as well as a new set of music with Matmos.
Saturday, November 23, 2013
On Thursday, June 13, Dan was featured for a full hour on WHYY Philadelphia, talking about neither Anvil nor Pulley, as well as his other work.
JUNE 8 RELEASE SHOW WITH MAN FOREVER - WORDLESS MUSIC / METROPOLITAN MUSEUM OF ART
Limited-edition “no-CD” release in three versions: Dropcard with Repurposed LP / Tether controller / Speaker drivers
“The dazzling results mixed George Crumb’s knack for unearthly timbres, Alvin Lucier’s infinitesimally fine gradations of tone, and the fierce creative audacity of Jimi Hendrix.”
– The New York Times on neither Anvil nor Pulley
So Percussion (Eric Beach, Josh Quillen, Adam Sliwinski, Jason Treuting ) releases its fourteenth major album, neither Anvil nor Pulley for laptop/percussion quartet (with turntable), by composer/programmer/fiddler Dan Trueman, on Cantaloupe Records Tuesday, May 28. The group fetes this “no-CD” release with a performance at The Metropolitan Museum of Art as part of the Wordless Music Series on Saturday, June 8 (6:30 PM doors / 7:00 PM show). For the concert, So Percussion shares the stage and collaborates with the force-of-nature drummer/composer John Colpitts as Man Forever (a.k.a. Kid Millions of Oneida). Tickets are $25 and include Museum admission on the day of the event.