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“Every time I'm at SoSI, I learn more about my genuine musical self, my aesthetic taste, my aspirations…it pumps me up about the professional world of art music.”
– Dylan Greene, SoSI ’12-14
When a young student like Dylan arrives on the campus of Princeton University for the first time to attend the So Percussion Summer Institute (SoSI), he quickly realizes that it is not a percussion festival at all. He is hurled into a maelstrom of artistic and intellectual activity: discussions of aesthetics and art; talks about the cutting-edge fusion of folk music and technology in contemporary music; and working closely with composers his own age on new works written especially for him.
The past six years at SoSI have been a laboratory for So Percussion. We've explored the vast realm of ideas and works that illuminate the world of contemporary music. As SoSI is not really a percussion festival, So Percussion is no longer just a percussion group. Our activities extend far beyond chamber music, encompassing a larger vision of artistic endeavor and an ever-broadening community.
We need your help to broaden it further.
Just this year, we
• Started a new series in Brooklyn to highlight talented young music groups.
• Brought 36 percussionists and 8 composers to the sixth SoSI, featuring more than 20 world premieres.
• Leapt into the orchestral world with the US premiere of David Lang's "man made" with the Los Angeles Philharmonic under Gustavo Dudamel.
• Started a new appointment as the official performers-in-residence at Princeton University.
• Curated a new performance project called "Branches" at Bard College.
Many of So Percussion’s projects – like SoSI- are independent ventures, funded by our generous supporters, and we can’t continue to do it without you. By supporting So Percussion with a 100% tax-deductible contribution you will be helping this optimistic, visionary community to grow.
Join us. We'd love to hear from you.
Click on the "schedule" tab above. Highlights include the North American premiere of David Lang's "man made" with the Los Angeles Philharmonic and Gustavo Dudamel, Bryce Dessner's "Music for Wood and Strings," as well as the opening concert of our Princeton residency.
Sō Percussion is delighted to announce the events of the sixth annual Sō Percussion Summer Institute (SoSI) at Princeton University, July 20 – August 3, 2014.
The So Percussion Summer Institute (SoSI) is an intensive two-week chamber music seminar for college-age percussionists and composers, led and curated by the four members of Sō Percussion.
Each year SoSI has a specific theme; in 2014, SoSI will focus on the intersection between percussion and electronics, a relationship that goes back to many of the masters of the art form such as Cage, Varese, and Reich.
36 percussionists and eight composers will be treated to a full slate of performances, guest lectures, and mentorship under the theme of "percussion and electronics." Nine concerts will be held over the two weeks and will take place all over the Princeton community -- and in New York July 23 -- with 18 world premieres and 14 performances of works by Princeton-affiliated composers.
Special guests will appear throughout the festival, including the electronic duo Matmos, and the excellent percussion and piano duo of Stuart Gerber and Stephen Drury, who will perform Karlheinz Stockhausen's "Kontake."
Man Forever is an exploratory percussion project helmed by John Colpitts (aka Kid Millions), one of New York’s most versitile and critically lauded collaborators and a founding member of Oneida. Since its inception in 2010, Man Forever has hosted an impressive list of guest performers, but few have been as specially qualified to perform Colpitts’ technically challenging meditative workouts as So Percussion, the United States’ premiere contemporary percussion ensemble. Following a collaborative performance at the Metropolitan Museum of Art in New York in June of 2013, So and Colpitts entered the studio together to record Ryonen, two pieces that combine the former’s precision and ingenuity with the latter’s restless punk spirit. While previous Man Forever records were inspired by blissful, overwhelming confusion, Ryonen derives its power from its clarity and immediacy.
For the sixth annual installment of SoSI, we decided to focus on one of the great marriages of 20th and 21st century music: percussion and electronics. These two media were not only both exciting new realms of experimentation, they were also co-conspirators in the new music revolution. Composers from Varese to Cage to Xenakis worked with equal vigor in both, seeing their expanded sound possibilities as a wave for the plugged-in future.
We are so pleased that SoSI happens every year on the campus of Princeton University, a prime hotbed of development in electronic and digital music. Paul Lansky, one of the great figures of computer music, joins us to talk about his decades of innovation, as well as his landmark percussion music. Dan Trueman, founder of the Princeton Laptop Orchestra, shows us where interactive digital technology is taking today's talented performers, supervising participants in a performance of his epic percussion work "neither Anvil nor Pulley."
Our friends Dan Deacon and Drew and Martin of Matmos will work closely with participants on new projects. Other guests speakers will include composers Steve Mackey and Daniel Wohl, and career coach Astrid Baumgardner from the Yale School of Music.
Of course, each year SoSI includes intensive chamber music, world premieres, and the second year of our composition program, supervised by faculty Andrea Mazzariello. Repertoire for the big last concert isn't finalized yet, but we're looking at Varese's "Ionisation," Michael Gordon's "Timber," Stockhausen's "Mikrophonie," Xenakis' "Persephassa," Cage's "Imaginary Landscapes," and many other heavy percussion pieces.
This year our opening concert will feature world premieres performed by So Percussion of 3 new works by the finalists of the American Composer's Forum competition. Thanks to our terrific organizational supporters, we will also be awarding more scholarship money than ever before, ranging from $250-$1000.
- Adam, Eric, Jason, Josh
This fall, when we had to vacate our Brooklyn studio of 8 years to make room for a new luxury hotel, we all took a moment to reflect (ah, the life of an artist in NYC…).
After some soul searching and hours spent pounding the pavement, we’re happy to announce that last month we signed a long-term lease on a new rehearsal studio and office right here in Brooklyn, our home!
This is a year of ambitious programming and with a new space in the mix we need you, our family of So-supporters, more than ever.
Help us create this new music with a whole new generation of performers, composers, and collaborators. Be a rabble-rouser right along with us by supporting our next year of projects.
Our goal is to raise $25,000 by 12/31/13. If we can raise that much, here’s what we’ll do.
THANK YOU for your help and support!
Jason, Eric, Adam, & Josh
PS: 100% of your gift is tax deductible. Visit www.sopercussion.com/donate to give your gift online and keep up to date on our work.
“American Patterns” on flowerpots, teacups + hybrid hammer dulcimers
So Percussion returns for a third visit to Zankel Hall on Saturday, November 23 at 9 pm, playing the world premiere of a 30-minute work by Bryce Dessner (The National), and a formidable peak of the percussion literature, David Lang’sthe so called laws of nature. In addition, So Percussion is joined by the electronic duo known as Matmos for a pair of collaborations: Carnegie Double Music, composed and performed jointly by the two ensembles, and so-called remix, an audio/video remix of the Lang piece. Whether performing on teacups, flowerpots, or newly invented instruments, So Percussion’s stunning virtuosity and restless spirit of adventure will be fully on display.
Taken as a whole, the program – titled "American Patterns" – bookends the group’s evolution to date: the so called laws of nature (2002) was the first work commissioned by So Percussion, while Dessner’s Music for Wood and Strings, comissioned by Carnegie Hall, finds So expanding its sonic palate with a piece played almost entirely on amplified strings.
Tickets are $43 - $50, available through www.carnegiehall.org. A pre-concert talk at 8:00 pm in Zankel Hall brings David Lang and members of So Percussion together for a conversation with Jeremy Geffen, Carnegie Hall’s Director of Artistic Planning.
Now up on Adam's Blog, an article dissecting David Lang's modern masterpiece the so-called laws of nature, written for So Percussion in 2002.
This piece is the featured work on So's upcoming concert at Carnegie Hall. The evening also features the world premiere of Bryce Dessner's Music for Wood and Strings, as well as a new set of music with Matmos.
Saturday, November 23, 2013
On Thursday, June 13, Dan was featured for a full hour on WHYY Philadelphia, talking about neither Anvil nor Pulley, as well as his other work.
JUNE 8 RELEASE SHOW WITH MAN FOREVER - WORDLESS MUSIC / METROPOLITAN MUSEUM OF ART
Limited-edition “no-CD” release in three versions: Dropcard with Repurposed LP / Tether controller / Speaker drivers
“The dazzling results mixed George Crumb’s knack for unearthly timbres, Alvin Lucier’s infinitesimally fine gradations of tone, and the fierce creative audacity of Jimi Hendrix.”
– The New York Times on neither Anvil nor Pulley
So Percussion (Eric Cha-Beach, Josh Quillen, Adam Sliwinski, Jason Treuting ) releases its fourteenth major album, neither Anvil nor Pulley for laptop/percussion quartet (with turntable), by composer/programmer/fiddler Dan Trueman, on Cantaloupe Records Tuesday, May 28. The group fetes this “no-CD” release with a performance at The Metropolitan Museum of Art as part of the Wordless Music Series on Saturday, June 8 (6:30 PM doors / 7:00 PM show). For the concert, So Percussion shares the stage and collaborates with the force-of-nature drummer/composer John Colpitts as Man Forever (a.k.a. Kid Millions of Oneida). Tickets are $25 and include Museum admission on the day of the event.