So Percussion is thrilled to announce Brooklyn born Haitian-American flutist, composer, and vocalist Nathalie Joachim as the ensemble’s inaugural Andrew W. Siegel Composition Fellow. A two-year appointment, the Fellowship honors an emerging composer whose work demonstrates extraordinary promise, and who will receive support and collaborative development in the creation of a new work, culminating in a premiere and subsequent touring of the piece by Sō Percussion. Nathalie and Sō will work together throughout the next season, exploring and developing a sonic language and then workshopping this new project together. The resulting composition will premiere at Princeton University in September 2021, and Sō will continue to tour and document the work in the 21/22 season, and beyond.
New Amsterdam Records releases
Dan Trueman’s Songs That Are Hard To Sing
Written for and performed by
Sō Percussion and JACK Quartet
On Friday, November 22, we join Dan to celebrate the album release with a FREE event at Princeton University (where Dan is Professor of Music, and we are Performers-In-Residence). We will perform a bit with Dan, and JACK will join in with a special video message!
Also today, Vic Firth releases the FULL video performance of the work as filmed by the awesome Four/Ten Media. Check it out below!
See the full version of this newsletter HERE
In 19/20, Sō Percussion is privileged to perform a deep library of new music in the US and throughout the world, including a happy return to Carnegie Hall, where we perform a program exploring a century of percussion music (including Sō’s latest commission, Julia Wolfe’s Forbidden Love)!
We also welcome new albums with Dan Trueman and the JACK Quartet, Buke and Gase, and Caroline Shaw – with whom we perform a series of concerts, including a Miller Theatre Composer Portrait.
In addition, we continue to tour our original work, Amid the Noise; welcome a gallery installation of the video art of From Out a Darker Sea; reunite with Nexus Percussion for Steve Reich’s Drumming; join Louis Langrée and the Cincinnati Symphony for David Lang’s man made – and more!
Read on, browse, and be in touch. We hope to see you soon!
A P E R C U S S I O N C E N T U R Y
at Carnegie Hall
Our newest major commission is Julia Wolfe’s Forbidden Love, a string quartet (two violins, viola, cello), written for Sō Percussion. Says Wolfe: “The beautiful thing about Sō is that they are so open, so collaborative, full of adventure and can-do attitude. Together we discovered and drew out beautiful ethereal and crunchy sounds from this iconic quartet of instruments. In the process I developed a very personal new language (boings, szhings, hammering, and more).”
Wolfe’s Forbidden Love is the newest work on a program that articulates the influence of percussion on the language and execution of new music from the 20th century into the 21st. Whether you know and love this repertoire, or you are listening with totally fresh ears, this program, in this gorgeous venue, is going to be something special.
We hope you can join us at Carnegie Hall on December 7, 2019.
A M I D T H E N O I S E
Jason Treuting’s Amid the Noise began as a soundtrack, which morphed into our third album and then into a flexible set of live music. Now it is a communal music-making project that can occur with any number of musicians in almost any combination. Like Terry Riley’s In C, this work maintains its identity and integrity even through wildly different realizations.
In 19/20, we perform Amid the Noise in various forms:
• on Sept 13 for a season-opening concert at Princeton University (where we are Performers-in-Residence), alongside Princeton music students.
• Oct 23-27 with the Washington Ballet for NEXTSteps where we perform live to a new dance created by renowned choreographer John Heginbotham.
• As part of a Sō residency in Trinidad and Tobago in January (read more about this below!)
• and ELSEWHERE – more 19/20 dates to be announced!
C A R O L I N E S H A W
We are truly delighted to be be working this season with the Pulitzer-prize winning composer Caroline Shaw.
Last summer, we met up with Caroline to record her percussion quartet Taxidermy, and Narrow Sea, written for and premiered by Sō, Dawn Upshaw, and Gilbert Kalish in 17/18. (Dawn Upshaw Sings Expertly with Piano and Percussion, SF Chronicle, Oct. 27, 2017)
During the recording sessions, Caroline and Sō spent an extra day in the studio experimenting with new material. The result was so exciting that we decided we HAD to expand this material. In a subsequent recording session, ideas flourished; group tracks, duo tracks (Caroline and each member of Sō wrote/laid down a new song with only 60 minutes), and more.
We are thrilled to share these new songs with audiences at Princeton University and in a Caroline Shaw Composer Portrait for Miller Theatre in February 2020. (Stay tuned, we’ll be back soon with release dates for these recordings!)
D R U M M I N G
FROM OUT A DARKER SEA
Commissioned by East Durham Creates as part of Arts Council England’s Creative People and Places program, and supported by a Sō residency through Forma, this original production features film and visual art we developed with Amber Films, inspired by Sirkka-Liisa Konttinen’s photographic series The Coal Coast.
This fall, Princeton University is hosting an art installation which includes the original video and recorded music from From Out A Darker Sea!
OTHER NOTABLE ITEMS…
• This fall, we return to Lithuania for the Klaipeda Festival, where we perform Amid the Noise, as well as “classic” Sō repertoire by Bryce Dessner, David Lang, and Steve Reich.
• This season we are piloting a new Cultural Exchange Program, designed to encourage sharing between percussion traditions, where we can learn from performing alongside leading artists in an area while conducting educational residencies in partnership with nearby universities. In February 2020, Sō Percussion will travel to Trinidad, where we will collaborate with steel pan artists from Skiffle Bunch and Pan Elders, work with students at the University of Trinidad and Tabago, and perform (with local musicians) Amid the Noise as part of an educational residency.
• In the spring, we make our debut at the Cité de la Musique in Paris, playing a program of Dessner-Reich.
• We also happily reunite with Louis Langrée for Lully’s Le Bourgeois gentilhommeSuite and David Lang’s man made with the Cincinnati Symphony (Throwback to our performance of these works with Langrée at Mostly Mozart, complete with Turkish crescent!)
• AND, we’re delighted to welcome several new albums this season. Later this fall, look for Dan Trueman’s “Songs that Are Hard to Sing” from New Amsterdam Records, and a collaborative project from Brassland with our friends Arone Dyer and Aron Sanchez – aka, Buke and Gase!
The “Noon to Midnight” festival is a daylong celebration of performances and premieres highlighting some of the most exciting new music happening all over the country. We are delighted to have premiered Julia Wolfe’s new piece “Forbidden Love,” a work for string quartet for Sō Percussion! We will also performed Suzanne Farrin’s “a diamond in the square,” a new work exploring sounds inside the piano.
Video Recording of Steve Reich’s DRUMMING with NEXUS, Sō Percussion, and Friends!
Nexus and Sō Percussion are so excited to join together to make a historical video recording of Steve Reich’s Drumming. It is such a rare opportunity to gather up two of the world’s best percussion groups to celebrate Drumming turning 50 years old. This fabulous team includes Nexus, Sō, Yumi Tamashiro, Daisy Press, Beth Meyers, and Alex Sopp. We are asking you to join us in this historical event by contributing what you can to make this project come to life! We need money to cover the cost of making the video recording (video, audio, and record label production).
As some of you might know, Russell Hartenberger and Bob Becker are both original members in Steve Reich and Musicians–a group which Reich himself performed in, premiered the majority of the Reich repertoire, and toured the world together for decades. Russell and Bob learned Drumming directly from Reich and for us who have heard them in concerts, we can attest to that fact that they have perfected the art of phasing! The earlier renditions of Drumming were mostly taught by rote; Russell and Bob were among the most important figures for establishing the piece as a part of the percussion repertoire and have carried the torch of imparting wisdom on this work in the past five decades.
Together, this world-class line up is going to make history and we invite you to be part of this history making project. Your donation is what makes this possible.
Adam Sliwinski has penned a comprehensive year-in-review for the season just ended. Check it out here!
PLEASE JOIN US FOR OUR FIFTH ANNUAL SŌ PERCUSSION BENEFIT
HONORING SARA COFFEY
6:30PM, THURSDAY, JUNE 7
(LE) POISSON ROUGE
158 BLEEKER STREET
NEW YORK CITY
RSVP BY MAY 24 TO SO@SOPERCUSSION.COM
*ADMISSION TO NIGHT OF AWESOMENESS INCLUDED
9PM, NIGHT OF AWESOMENESS FEATURES PERFORMANCES BY:
(Doors at 8:30PM, $20/ticket)
& SŌ PERCUSSION
“From Out a Darker Sea” conveys our experience of a multi-visit residency in the industrial north of England. Former mining towns are searching for a new identity and a way forward in the globalized present, while never forgetting the past.
We are touring the show in sacred spaces around the UK during November and December. Other than London, all of the locations were chosen because of their connection to industry.
Adam wrote about our process in The Big Issue.
See below for further dates.
The Guardian wrote a lovely review:
“…a haunting and often deeply moving requiem for an industry and its people.”
The project is sponsored by Forma, with funding from many partners. Learn more on Forma’s website.
- 22 November 2017
Derby Cathedral, Derby
Presented by QUAD
Support from Unite the Union
- 24 and 25 November 2017
St Giles Cripplegate, London
Presented by the Barbican Centre
- 27 November 2017
St John the Baptist Church, Newcastle
- 28 November 2017
In conversation with Amber Films
The North of England Institute of Mining and Mechanical Engineers, Newcastle
- 30 November 2017
Holy Trinity Church, Blackburn
Presented by the Bureau Centre for Arts and Mid Pennine Arts
- 2 December 2017
St George’s Church, Deal, Kent
Presented by Deal Festival of Music & the Arts
- 5 December 2017
All Souls Church, Cheriton, Kent
Presented by Strange Cargo
On Thursday, September 7th, we joined The National on “The Late Show with Stephen Colbert” to perform “Day I Die” from their new Album “Sleep Well Beast.” What a thrill to perform on national television at the Ed Sullivan Theater!
We contributed some typical Sō Percussion color to the new album, which has just been released September 8th.