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Online magazine The Quietus has words of high praise for Buke and Gase and So Percussion’s new collaborative album A Record of:
A Record Of… is a superb collaboration, reconciling jarring contrasts without compromising either party’s own character. It is the dynamic meeting point of pop and experimental, punk and classical minimalism, noisy and hushed, abrasive and smooth, delivered with stark clarity and precision.
Check out the whole review, and our album is available now!
NEXUS and Sō Percussion are pleased to announce the public launch of DRUMMINGat50.com, a website examining the immense influence, innovative compositional and performing techniques, and history of Steve Reich’s seminal work for percussion, Drumming.
DRUMMINGat50.com contains a deep library of multimedia resources, including:
DRUMMINGat50.com’s launch is timed to mark the fiftieth anniversary of Drumming, and to echo the year of preparation that preceded the world premiere of the piece at the Museum of Modern Art in New York by Steve Reich and Musicians on December 3, 1971.
DRUMMINGat50.com is fully available to the public, and was designed and curated by Russell Hartenberger (of NEXUS, and an original performer in the world premiere of Drumming) and Ray Dillard, and built by Agile web designer Alex Kessaris.
Sō Percussion is proud to be a founding signatory to the New Music Equity Action Pledge. This commitment arises out of the work of a number of peer organizations who want to work actively against inequity, racism, and anti-Blackness in our field.
New Music Equity Action (NMEA) is a flexible assembly of composers, performers, and administrators in the US whose work creates new music. There is no fixed membership and participation in all group meetings and activities is open to anyone in the field. The group began meeting in June 2020 in order to prioritize in our work the values of anti-oppression, anti-racism, equity, and inclusion. We focus on dismantling the systemic oppression and marginalization of Black artists in our field within the larger goal of making classical music more responsive to and reflective of our contemporary world.
Nonesuch Records releases its second album from Pulitzer Prize–winning composer Caroline Shaw, Narrow Sea, on January 22, 2021. The title piece was written for Sō Percussion, Dawn Upshaw, and Gilbert Kalish in 2017; they perform it on this recording as well. Narrow Sea comprises five parts, each a new setting of a text from The Sacred Harp nineteenth century collection of shape-note hymns. A composition Shaw wrote for Sō Percussion in 2012, Taxidermy, also is on the album. A video for Part 2 of Narrow Sea can be seen below, and the album may be preordered from here.
The So Percussion Collaborative Workshop is a nine-day online festival for musicians from a wide range of musical practices. Based on our successful So Percussion Summer Institute (SoSI) which was held online in July of 2020, the Collaborative Workshop will feature music curated by So Percussion based on the practices of the admitted participants.
The Collaborative Workshop is for musicians at a student or professional level who want to work across disciplines and explore the creative side of music production. Where our summer institute emphasizes the tools and techniques of live performance, the Collaborative Workshop focuses on using technology to produce recordings and videos. Unlike our past festivals, the Collaborative Workshop is open to musicians beyond the realms of percussion and composition. We do not have a separate composition track. The So Percussion online course, originally built for SoSI 2020, will be updated, expanded, and included as part of participation in the workshop.
Thursday, September 17, 2020
All performances will be live streamed on the Sō Percussion Facebook page, and on the Sō YouTube channel at 7:00pm (ET).
HPRIZM aka HIGH PRIEST
Beth Meyers
Iarla Ó Lionáird
Sō Percussion
HPRIZM aka HIGH PRIEST (Music Producer) Professionally known as -Hprizm is an American Avant-Garde Artist, Composer, New Media artist and Performer whose work spans performance art, pop music and multimedia projects. Formally trained as a visual artist, Prizm, later developed from the axis of poetry, hip hop and the experimental arts community of the Lower East Side in the Early Nineties. Noted for evoking images of “Sun Ra and Africa Bambatta at once…” (Jesse Sewer XL8R Magazine) Austin is the founding member of the critically acclaimed Hip Hop collective, the Antipop Consortium and cited figure in the Afrofuturist canon. With a career that spans the last 20 years, Prizm has shared the stages with a wide array of artists ranging from The Roots, Radiohead and, MFDoom to Matthew Shipp, Vijay Iyer and Steve Lehman. As a composer his pieces have been presented in The Whitney (NYC) The Guggenheim, PS1/Moma The Walker Museum, The New Museum, Cal Arts as well as the Mazzoli Gallery (ITALY) As the Creative Director of PRIZMLABS his recent client base includes
Kehinde Wiley, Simone Leigh, Moor Mother, Ursula Rucker, The Barnes Center (Philadelphia) Bahamadia, & The Banff Center, Meredith Monk, The Sō Percussion Ensemble, Loris Greaud, Snorks (feat. David Lynch and Charlotte Rampling) amongst others.
Read more about HPRIZM!
Beth Meyers
Beth is a true performer of the 21st century. A day’s work might find her writing original music for her indie-neo-folk band Damsel with bandmate Monica Mugan; playing viola in the Princeton Symphony Orchestra; writing string arrangements for a Regina Spektor appearance on late night TV; performing and writing with her partner, Jason Treuting; singing the music of Steve Reich with So Percussion; recording strings alongside such artists as Björk, The National, and Sufjan Stevens; performing contemporary avant-garde chamber music with ensembles like Alarm Will Sound; or playing in the pit of the Broadway musical, Wicked.
Her passion for singing has also led her to specialize in straight-tone, rhythmic singing, and the music of Steve Reich. Beth’s vocals can be heard on “The Desert Music” with Alarm Will Sound (Cantaloupe Records 2002) as well as a more recent live album of “Drumming” with So Percussion at Le Poisson Rouge (Dog W/A Bone 2016).
Read more about Beth!
Iarla Ó Lionáird
Iarla Ó Lionáird has carved a long and unique career in music both internationally and in Ireland. From his iconic early recording of the vision song “Aisling Gheal” as a young boy to his ground breaking recordings with Dublin’s Crash Ensemble and New York’s Alarm will Sound, he has shown a breadth of artistic ambition that sets him apart in the Irish Music fraternity. Preferring not be categorized, his performances and recorded output follows an ambitious arc that challenges musical identity. But there’s no doubt he is one of our most distinctive voices. Distinctive voices are always a welcome arrival, regardless of the orbits they choose, and Iarla Ó Lionáird’s is one that ventures far beyond the boundaries of any one genre: a defiantly unclassifiable sound.
A twice Grammy nominated artist, Ó Lionáird has worked with a stellar cast of composers internationally including Donnacha Dennehy, Dan Trueman, Nico Muhly, Gavin Bryars and David Lang and he has performed and recorded with such luminaries as Peter Gabriel, Nick Cave, Robert Plant and Sinead O’Connor. His unique singing style has carried him to stages and concert halls all over the world, from New York’s Carnegie Hall to the Sydney Opera House and beyond. His voice has graced the silver screen also, with film credits extending from “The Gangs of New York” to “Hotel Rwanda” and most recently as featured vocalist in the film “Calvary” starring Brendan Gleeson and featured singer in the film “Brooklyn” starring Saoirse Ronan. He is the vocalist with the critically acclaimed Irish /American band “The Gloaming.”
Read more about Iarla!
Sō Percussion
Sō Percussion’s performance will include select movements from Jason Treuting’s Go Placidly with Haste.
Announcing SōSI 2020 Online, a new summer course from Sō Percussion! In place of our 12th annual Sō Percussion Summer Institute on the campus of Princeton University, and in light of the current situation we are all in with the Covid-19 national emergency, we are designing a new virtual SōSI with two main tracks. Although SōSI is normally limited to percussionists and composers, SōSI Online is available to musicians of any instrument or creative discipline in music.
Please email Shelby@sopercussion.com with questions and inquiries.
1) Collaborative SōSI – an interactive festival of online collaboration with other participants and Sō Percussion. Open space is limited.
Details about the program:
Requirements:
2) SōSI Online Course (automatically included with Collaborative SoSI).
Details about the program:
“Go placidly amid the noise and the haste, and remember what peace there may be in silence.”
Max Ehrmann, Desiderata
During this period of isolation, So Percussion has embarked on a new project re-interpreting music from our third album Amid the Noise, with music by founding member Jason Treuting. Amid the Noise is designed to be modular and flexible, with many different possible versions.
Now also available: “September.”
As part of this project, inspired by our colleague Doug Perkins, we would like to invite YOU to participate. We are making the one-page scores to “June” and now also “September” available for free. Make your own version, perhaps on Youtube, and post it, tagging us @sopercussion on Twitter, Instagram, or Facebook, or email us a link at so@sopercussion.com.
Submissions playlist! Click on the upper right-hand corner of the video to browse through the projects people have submitted so far.
Check out the instructional videos below, as well as the original version of “June” with video by Jenise Treuting.
All of Jason’s music is available for purchase on our website in the shop, including both volumes of Amid the Noise. Have fun!
Download Jason Treuting’s “June” HERE
Download Jason Treuting’s “September” HERE
Our recording of Amid the Noise in 2006 featured Jenise Treuting’s portrait-like videos with Jason’s music. Here are “June” and “September.”
Last updated: March 18, 2020
The current crisis surrounding the Covid-19 pandemic has affected Sō Percussion as it has many artists and small businesses. The peak of our touring season, which represents the bulk of our revenue, was just commencing when the imperative for social distancing caused venues to cancel.
To date, the following events have been cancelled or postponed:
The members, board, and staff of So Percussion are in constant communication to formulate plans for the near and medium-term. This situation is fluctuating hour-to-hour, and we will continually reassess our financial and programming strategies.
Currently, we are planning to proceed with all programs from July onward, including the Sō Percussion Summer Institute at Princeton University.
During the period of social distancing, we are initiating a number of service programs online, including mentoring session by the members of Sō Percussion for young artists, short videos about percussion for families with children at home, and an ongoing outreach project where we solicit submissions from composers and performers to highlight what they are working on.