The Anti- Inaugural Ball (NY)

January 20, 20177:00pm

The DiMenna Center for Classical Music

Musicians from across the NYC experimental and jazz community counter cynicism with sound with performances by

Phyllis Chen & Friends • Jordan DodsonETHEL
Flor de Toloache – Mariachi FemeninoFlutronix • Gemini
International Contemporary Ensemble (ICE)JACK Quartet
Darius Jones • loadbangSo PercussionAdam Tendler

With dancing provided by DJ Robert Maril

On January 20th, 2017, all-star musicians from throughout the experimental and jazz communities of NYC will come together for a marathon fundraiser concert/dance party in the acoustically intimate Mary Flagler Cary Hall at the The DiMenna Center for Classical Music. The concert is FREE to attend, and will provide laptop stations for attendees to donate funds for institutions that uphold America’s democracy and diversity including ACLU, LAMBDA Legal, Planned Parenthood, Southern Poverty Law Center, Hollaback!, and more. Representatives from organizations will be in attendance.

Join us in our response to the current political climate for a night of positive action, deep listening, ecstatic sound, and community.

FREE – attendees are encouraged to donate to their preferred social activist organizations – credit cards accepted via laptop stations

October 24, 20257:30am

Babe the blue OX and the Schickele Family Denim Review

Sō Laboratories (Our Home In Brooklyn!)
20 Grand Avenue, #205, Brooklyn, New York 11205

Apparently this band has been making new music for 35 years and didn’t bother to tell many people. Why ruin it? Rose, Eddie, Hanna, Tim, Squiggy, Lemmy, Alfalfa they’ll all be there, with brand new ways to cut in song in pieces. Tell Everyone! Cuz it’s free (donation suggested) and there’s a fridge of beer and seltzer!

November 1, 20258:30pm

Sō Plays Madrid!

Durante 25 años, el cuarteto de percusión ganador de un  Grammy Sō Percussion, ha redefinido la música de cámara del siglo XXI mediante una emocionante combinación de precisión y anarquía, rigor y caos (The New Yorker).

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