Sō in Cage Country – At Black Mountain College, Asheville, NC

April 3, 20247:00pm


120 College Street
Asheville, NC 28801

CONCERT: Sō Percussion
Sō Percussion
Wednesday, April 3, 2024 at 7pm
Black Mountain College Museum + Arts Center {120 College Street}
TICKETS – $15 General Admission / $10 BMCM+AC members + Students w/ID

Black Mountain College Museum + Arts Center presents Sō Percussion, a quartet comprised of Eric Cha-Beach, Josh Quillen, Adam Sliwinski, and Jason Treuting.

“Through a mix of consummate skill and quirky charm, this mercurial quartet has helped to ignite an explosive new enthusiasm for percussion music old and new.” –the New York Times

For twenty years and counting, Sō Percussion has redefined chamber music for the 21st century through an “exhilarating blend of precision and anarchy, rigor and bedlam” (The New Yorker). They are celebrated by audiences and presenters for a dazzling range of work: for live performances in which “telepathic powers of communication” (The New York Times) bring to life the vibrant percussion repertoire; for an extravagant array of collaborations in classical music, pop, indie rock, contemporary dance, and theater; and for their work in education and community, creating opportunities and platforms for music and artists that explore the immense possibility of art in our time.

LEARN MORE: https://www.blackmountaincollege.org/events/so-percussion/

October 24, 20257:30am

Babe the blue OX and the Schickele Family Denim Review

Sō Laboratories (Our Home In Brooklyn!)
20 Grand Avenue, #205, Brooklyn, New York 11205

Apparently this band has been making new music for 35 years and didn’t bother to tell many people. Why ruin it? Rose, Eddie, Hanna, Tim, Squiggy, Lemmy, Alfalfa they’ll all be there, with brand new ways to cut in song in pieces. Tell Everyone! Cuz it’s free (donation suggested) and there’s a fridge of beer and seltzer!

November 1, 20258:30pm

Sō Plays Madrid!

Durante 25 años, el cuarteto de percusión ganador de un  Grammy Sō Percussion, ha redefinido la música de cámara del siglo XXI mediante una emocionante combinación de precisión y anarquía, rigor y caos (The New Yorker).

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