Media
Audio
- Also, support the wonderful record labels who have released our work:
Photos
Video
Our youtube channel is full of performances, interviews, and broadcasts of our programs such as Sō Laboratories and SoSI! Check them out on our page, or sample some of the playlists below.
Julius Eastman: Stay on It
We are delighted to announce the release of our new recording of Julius Eastman’s Stay On It, available on Bandcamp, Spotify, and YouTube.
Video by: MEDIAQUEER (Darian Thomas and Phong Tran)
This recording is a collaboration with MEDIAQUEER (who also designed the album cover and music video), Adam Tendler, Shelley Washington, Alex Sopp, Beth Meyers, and Grey Mcmurray.
Stay On It is released through Sō Percussion Editions, a new in-house imprint that will feature recordings of new and recent works written for Sō and friends, including commissions through our New Work Development Fund, and especially the Flexible Commissions program started in 2020.
All profits and proceeds from the sale of Stay On It will be donated to Castle of our Skins, a concert and educational series dedicated to celebrating Black artistry through music.
The Timespans Festival
During the 2020 COVID period, our first time getting back together was donning masks and recording works by Suzanne Farrin, Julia Wolfe, and Kendall Williams at the DiMenna Center in NYC for the Timespans Festival.
Check out the videos HERE.
Sō Percussion Summer Institute
Amid the Noise – a Pandemic collaboration
Brooklyn Bound and So Laboratories Podcast on youtube
Quotes & Reviews
Press Quotes
RECTANGLES AND CIRCUMSTANCE
‘Hypnotically beautiful.’ – Andrew McGregor, BBC Radio 3
“Composer and vocalist Caroline Shaw’s second album with the four multi-instrumentalists of Sō Percussion is a truly collaborative and gleefully eclectic collection, which ends with the group’s mesmerizingly beautiful take on Schubert’s An die Musik.” – Andrew Clements, The Guardian
“[They] have made a rich and boundary-pushing album that navigates the musical question of what a ‘song’ can be.” – Konstantin N. Rega, Spectrum Culture
“This is magical… both an explosion of the original and a becalming, a stretching out, an oozing of Schubert’s original song and textures into something wondrous and bewitching.” – Tom Service, BBC Radio 3
Sō Percussion Press
“The evening was an exhilarating blend of precision and anarchy, rigor and bedlam…”
– The New Yorker
“Through a mix of consummate skill and quirky charm, this mercurial quartet has helped to ignite an explosive new enthusiasm for percussion music old and new.”
–The New York Times
“Marimbas and steel drums resonate like heavy raindrops, while other percussive rustles bring to mind the dry overlap of wind and cicadas whispering in the trees…Sō Percussion are most often serene, but some of their lightest touches are most dramatic.” – Pitchfork
“If percussionists are, as proclaimed elsewhere, the new princes of the realm of virtuosity, then these four wear the crown with panache.” – The Financial Times
“a marvelous program…crisply sensitive performances…This is a group that clearly inspires composers to push the limits of what’s possible. – San Francisco Chronicle
“The range of colors and voices that Sō Percussion coaxes from its menagerie is astonishing and entrancing.” – Billboard Magazine
“This group plays with an irresistible vitality.” – The Washington Post
“This ensemble has set the New York standard for percussion innovation.” – The New Yorker
“The reason for their success is simple: staggering ensemble virtuosity, which allows them to exhale the most complex scores like a single, multi-malleted organism.” – emusic.com
Reviews
Narrow Sea and Let the Soil Play its Simple Part
“Simply breathtaking [and] works on every conceivable level…Sō Percussion has an immense arsenal at its disposal… Narrow Sea packs endlessly creative and deeply textured moments into the song cycle […] almost like the invention of a brand-new style…Disarming and intoxicating. Sō Percussion, Upshaw and Kalish [are] at the absolute height of their powers.” – PopMatters
“This latest venture with Sō Percussion is every bit as vivid and colourful as the acclaimed Narrow Sea released earlier this year… it is also an experiment in deep collaboration…The result is a glorious, genre-defying disc by turns poignant, celebratory, complex and direct…Beautifully performed and expertly produced, this is music-making at its most vital, expressive and imaginative.” – BBC Music Magazine
A Record Of… with Buke and Gase
“A most magical pairing… A Record Of… is a superb collaboration, reconciling jarring contrasts without compromising either party’s own character. It is the dynamic meeting point of pop and experimental, punk and classical minimalism, noisy and hushed, abrasive and smooth, delivered with stark clarity and precision.” – The Quietus
Julius Eastman’s Stay On It
“Sō Percussion released a moving version of Stay on It (1973) with a team of collaborators, in which bright, shiny order — a riff as pearly-precise as the vibraphone one that gives Femenine its spine — melts into woozy mayhem before returning in gentler form. Vocalists’ cute chirps of the title become screams and moans of it; a passing evocation of a police siren suggests ongoing struggles.” – The New York Times
Julia Wolfe’s Forbidden Love
“Julia Wolfe’s “Forbidden Love” could safely be called one of the most imaginative and least imaginable string quartets on the books … in person, an entire sound world unfurled: entrancing spells of knocking rhythms, toothy scrapes and pointed tones that hung over the hall like glassy icicles.” – Washington Post
The New York Times
“Let the Soil Play Its Simple Part is planned for release this year. Grammy nominators, take note.” February 7, 2020
“This performance featured the premiere of David Lang’s new arrangement of man made, his single-movement concerto for percussion and orchestra, written in 2013 for the four brilliant players of Sō Percussion.” August 24, 2017
“Much of the music is made up of breathtakingly complex and fragile interlocking rhythms that are shared between the players, who, in the course of 15 years of professional ensemble playing, seem to have developed telepathic powers of communication.” July 31, 2016
“By now, this quartet’s virtuosity is a given.” July 22, 2016
Feature article before Where (we) Live at the BAM Next Wave Festival: December 18, 2012
“…it is the arrangement and imaginative juxtaposition of familiar instrumental timbres with splashing, crinkling and other exotic noises that makes these pieces so irresistible and entrancing.” October 31, 2010
“Time and again…you found yourself smiling in a quiet amazement that could verge on disbelief.” March 27, 2010
“If you think about it, drums are the new violins.” (featured in article) December 28, 2009
It Makes Great Times Feature article: July 20, 2007
